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Steve Albini: A Sad Goodbye to A Punk Rock Engineering Arsonist

The late Steve Albini would quickly correct you if you called him a producer. He told people that he was a musical “engineer” and was never a producer…at times he would help make a record and not be in the liner notes at all. The iconic engineer died at 61 and his passing brought me back to all the records he was involved in that shaped my life.

Before coming on to do Nirvana’s In Utero, Albini wrote a letter to the band about a conversation he had with Kurt where he asked Albini to come on the record. You see, Kurt loved his work with the Breeder’s record Pod and the Pixies’ Surfer Rosa. In the letter, which is an epic read, Albini describes how he is not a producer because producers see the band as just a product or a tool they can use to make their record. For Albini, the record is the band’s creative expression and he was there to help that creation come to life. He also advised the band to make the record in a week, because that is fast enough to get out something they love before the record company changes it. He was off by a little. The iconic In Utero was recorded and mixed in 10 days and lived up to Albini’s mantra “If a record takes longer than a week, someone fucked up.”

Albini was also a musician who broke ground in punk and noise rock. His two most notable bands were Big Black and Shellac, who both had cult followings and embodied Albini’s gorilla musical style. However, what Albini was best known for were his hundreds of amazing bands he worked with from the mid 1980s all the way up to 2024. He worked with The Pixies, Nirvana, The Breeders, Fugazi, Urge Overkill, The Jesus Lizard, PJ Harvey, Cheap Trick, Dirty Three, Jimmy Page & Robert Plant and Joanna Newsom to name a few.

He saw producers as making the record they wanted, but his job as an engineer was to follow the band and solve problems. Having said that, his raw aggressive style was definitely evident on records and he left his fingerprints on some of his biggest projects. It is not hyperbolic to say that Steve Albini, along with Butch Vig and Sub Pop, shaped 90s music. His ability to bring together elements of 70s and 80s punk with a 90s indie style was revolutionary.

It’s sad to wonder what Steve Albini and Nirvana could have come up with after In Utero, as it also is sad to think about how we will miss out on some projects he could have made with up and coming indie bands. He was passionate about the art of music and the value of pure creative expression. Steve Albini will be sorely missed, but his legacy will live on with the amazing records he helped create.

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